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            <url>
                        <loc>https://relicsuspension.com</loc>
            
            
            <lastmod>2026-08-21T22:50:07+00:00</lastmod>
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            <url>
                        <loc>https://relicsuspension.com/studies</loc>
            
            
            <lastmod>2026-08-22T08:39:29+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C3094173326096031538859659289282/DSCF1171-1.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R3095726001291415826752478175938/head-ex.mp4</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3095726396291546677095106929346/nasa.mp4</image:loc>
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            <url>
                        <loc>https://relicsuspension.com/relic-sound</loc>
            
            
            <lastmod>2026-08-22T08:54:18+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/V3095645881418753275540977541826/Artboard-1.png</image:loc>
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        </url>
            <url>
                        <loc>https://relicsuspension.com/patterns-of-uncertainty</loc>
            
            
            <lastmod>2026-08-22T08:12:09+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2242537114499758362650545564252/Untitled-5-1-dragged.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;a href=&quot;view-patterns-of-uncertainty&quot; rel=&quot;history&quot;&gt;&lt;u&gt;&lt;b&gt;PATTERNS OF UNCERTAINTY&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
MAY 10 - JUNE 7, 2026&lt;br /&gt;SATELLITE, ALSERKAL AVENUE, DUBAI
&lt;/a&gt;&lt;/div&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2244115655129386995717934754396/Untitled-1-dragged-5.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center&quot;&gt;&lt;a href=&quot;view-patterns-of-uncertainty&quot; rel=&quot;history&quot;&gt;&lt;u&gt;&lt;b&gt;PATTERNS OF UNCERTAINTY&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
MAY 10 - JUNE 7, 2026&lt;br /&gt;SATELLITE, ALSERKAL AVENUE, DUBAI
&lt;/a&gt;&lt;/div&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://relicsuspension.com/view-patterns-of-uncertainty</loc>
            
            
            <lastmod>2026-08-22T08:54:18+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F3094173326040691306638530634434/10.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Yohan Chavez&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Sudden Death / A Tragic Memory / My Truth&lt;/i&gt; 2024&lt;br /&gt;Oil paint, spray paint on canvas&lt;br /&gt;Courtesy of the artist&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E3094173325930010842196273324738/4.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Nada Meshal&lt;/b&gt;&lt;br /&gt;

&lt;i&gt;Little Grief&lt;/i&gt; 2025&lt;br /&gt;Single-channel video&lt;br /&gt;

&lt;br /&gt;
&lt;i&gt;Surgical Steel&lt;/i&gt; 2026&lt;br /&gt;Steel wire, found bone&lt;br /&gt;Courtesy of the artist&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3094173326003797818491111531202/8.jpg</image:loc>
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&lt;b&gt;Nadin El Dib&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Chrysalis&lt;/i&gt; 2026&lt;br /&gt;Mixed fibres&lt;br /&gt;Courtesy of the artist&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L3094173325893117354048854221506/1.jpg</image:loc>
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&lt;br /&gt;
American Dream draws from scenes in the reality show &lt;i&gt;My Strange Addiction&lt;/i&gt;, where private compulsions are transformed into public spectacle.&lt;br /&gt;
&lt;br /&gt;
Removed from the logic of television, these characters appear less as exceptions and more as symptoms of a culture built on excess, desire, and performance. Playful on the surface and uneasy underneath, American Dream considers how the compulsions presented in the show mirror the compulsions of media culture itself: to consume, to judge, to repeat, and above all, to keep looking.&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C3094173326096031538859659289282/DSCF1171-1.jpg</image:loc>
                                            <image:caption>Patterns of Uncertainty was presented from &lt;b&gt;May 10 - June 7, 2026&lt;/b&gt; at &lt;b&gt;Satellite, Alserkal Avenue,&lt;/b&gt;&lt;br /&gt;
curated by Relic Suspension, led by &lt;a href=&quot;https://www.instagram.com/sonchauni/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Assi Abogado&lt;/b&gt;&lt;/a&gt; and &lt;a href=&quot;https://www.instagram.com/nathanielenriquez_/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Nathaniel Enriquez.&lt;/b&gt;&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z3094173326077584794785949737666/DSCF1015.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Martin Ong Yambao&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Liminal Cosmos &lt;/i&gt;2025&lt;br /&gt;Acrylic, oil pastel, spray paint,&lt;br /&gt;pigment ink on mesh and canvas&lt;br /&gt;Courtesy of the artist&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P3094173326114478282933368840898/DSCF1193.jpg</image:loc>
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&lt;b&gt;Mivan Makia&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;American Dream &lt;/i&gt;2026&lt;br /&gt;Archival ink and colored markers on paper&lt;br /&gt;Courtesy of the artist&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U3094173325948457586269982876354/5.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Yoonsik Chico Park&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Elephant in the Room&lt;/i&gt; 2025&lt;br /&gt;3 ceramic pieces,burning incense, ____ slabs, lit table lamp&lt;br /&gt;Courtesy of the artist</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N3094173325985351074417401979586/7.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Hala El Abora&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Consequence of Circumstance &lt;/i&gt;2025&lt;br /&gt;Steel&lt;br /&gt;Courtesy of the artist&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J3094173326132925027007078392514/heyy.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Moza Al Mazrouei&lt;/b&gt;&lt;br /&gt;ft. Finance Bros&lt;br /&gt;&lt;i&gt;Smoke Fair&lt;/i&gt; 2026&lt;br /&gt;Framed photographic print on paper and drawings, shisha&lt;br /&gt;Site-specific installation&lt;br /&gt;Courtesy of the artist</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U3094173325966904330343692427970/6.jpg</image:loc>
                                            <image:caption>An excerpt from the work: He got into finance to conceal his video game addiction by `monitoring the market.&amp;#x27; He is 19 years old, the eldest of 3. He intended to pursue an unpaid internship at the World Shisha convention as a photographer, planning his first business model around tobacco.&lt;br /&gt;
&lt;br /&gt;
His research so far follows business advice from an automated voice that rewards him with responses, one search at a time, and more broadly on-the ground observations.&lt;br /&gt;



&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F3094173326022244562564821082818/9.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Arnold Barretto&lt;/b&gt;&lt;br /&gt;

&lt;i&gt;Portrait of Mai &lt;/i&gt;2026&lt;br /&gt;20-rupee note&lt;br /&gt;Courtesy of the artist&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3094181468876247299803643175618/10.JPG</image:loc>
                                            <image:caption>Snapshot from the opening, May 10, 2026.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q3094181468820907067582514520770/7.JPG</image:loc>
                                            <image:caption>Snapshot from the opening, May 10, 2026.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H3094181468747120091287676314306/3.JPG</image:loc>
                                            <image:caption>Sudden Death / A Tragic Memory / My Truth is a series of mixed-media assemblages that examines grief through the instability of memory.&lt;br /&gt;
&lt;br /&gt;
The works move between tenderness and death, where moments of intimacy exist alongside absence. Organic forms and fractured surfaces suggest traces of what remains, reflecting how memories repeat and gradually lose clarity over time.&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T3094181468765566835361385865922/4.JPG</image:loc>
                                            <image:caption>Snapshot from the opening, May 10, 2026.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V3094181468415078697960904385218/1.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Chrysalis&lt;/i&gt; explores cyclical repetition and the mechanical pursuit of an ideal, where the fixation on formal perfection subsumes the original work and transforms its fiber-mesh prototypes into the work itself. Existing in limbo between prototype and completion, what remains is a field of remnants, a perpetual rehearsal in which gesture and intention fold back into one another.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q3094181468839353811656224072386/8.JPG</image:loc>
                                            <image:caption>With deep gratitude to everyone who came through &lt;i&gt;Patterns of Uncertainty&lt;/i&gt;.&lt;br /&gt;
We’re beyond grateful for the care and presence that continued to shape the exhibition beyond the works themselves.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H3094967465382827250845229048514/2.jpg</image:loc>
                                            <image:caption>This body of work begins with undeveloped disposable cameras found in thrift shops—discarded memory-preservers transformed into vessels of loss, absence, and fragmented remembrance through misregistration, blurring, and erasure. Extending the artist’s engagement with postmemory, these ghostly distortions protect identities while questioning impermanence, reinterpretation, authorship, and the ethics of looking.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C3095741881742900745904982909634/Screenshot-2026-08-22-at-12.48.21PM.png</image:loc>
                                            <image:caption>The frame is positioned lower, asking audiences to crouch and meet the work at a child’s eye level. In doing so, the gesture draws the viewer closer to the artist’s own memory of &lt;i&gt;mai&lt;/i&gt;, while reconsidering what it means to make a portrait: whether a person is held through their image, or through the objects and gestures that continue to carry their essence.</image:caption>
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        </url>
            <url>
                        <loc>https://relicsuspension.com/pseudo-totems-1</loc>
            
            
            <lastmod>2026-08-22T07:37:25+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2242537114499758362650545564252/Untitled-5-1-dragged.jpg</image:loc>
                                            <image:caption>&lt;a href=&quot;view-pseudo-totems&quot; rel=&quot;history&quot;&gt;&lt;u&gt;&lt;b&gt;PSEUDO-TOTEMS&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
JAN 31, 2026&lt;br /&gt;
SECTA, THE GARAGE JEBEL ALI, DUBAI&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2244115655129386995717934754396/Untitled-1-dragged-5.jpg</image:loc>
                                            <image:caption>&lt;a href=&quot;view-pseudo-totems&quot; rel=&quot;history&quot;&gt;&lt;u&gt;&lt;b&gt;PSEUDO-TOTEMS&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
JAN 31, 2026&lt;br /&gt;
SECTA, THE GARAGE JEBEL ALI, DUBAI&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S3094221384512923058816425976514/flyer.mp4</image:loc>
                                            <image:caption>&lt;a href=&quot;view-pseudo-totems&quot; rel=&quot;history&quot;&gt;&lt;u&gt;&lt;b&gt;PSEUDO-TOTEMS&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
JAN 31, 2026&lt;br /&gt;
SECTA, THE GARAGE JEBEL ALI, DUBAI&lt;/a&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://relicsuspension.com/view-pseudo-totems</loc>
            
            
            <lastmod>2026-08-22T07:37:25+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2778981590650053829969246479042/IMG_1626.jpeg</image:loc>
                                            <image:caption>&lt;b&gt;Pseudo-Totems&lt;/b&gt; by &lt;a href=&quot;https://www.instagram.com/sonchauni/&quot;&gt;Assi&lt;/a&gt; Abogado unfolds as a series of reinterpolated forms,&lt;br /&gt;fragments displaced, and reconstructed together. Through installations&lt;br /&gt;of
suspended textile works and moving image as an inquiry into how&lt;br /&gt;cultural forms are carried and reassembled across time and geography.&lt;br /&gt;
&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2778981691369276472423398302402/IMG_1639.jpeg</image:loc>
                                            <image:caption>&lt;a href=&quot;https://docs.google.com/document/d/1-vn24oIMJCFqNzVGn6xIOaS1MUC7M7qVUZOW1_sJPqc/edit?usp=sharing&quot; target=&quot;_blank&quot;&gt;Across the installation, the video work moves through roads, passing landscapes, and moments recorded in transit, extending the exhibition’s sense of suspension and movement. Digital patterns and interference fracture the footage, allowing memory, distance, and mediation to overlap within the same visual field.&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2780302108129480981410660278978/Pseudo-Totems</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C3094173326096031538859659289282/DSCF1171-1.jpg</image:loc>
                                            <image:caption>&lt;b&gt;Pseudo-Totems&lt;/b&gt; by &lt;a href=&quot;https://www.instagram.com/sonchauni/&quot;&gt;Assi&lt;/a&gt; Abogado unfolds as a series of reinterpolated forms,&lt;br /&gt;fragments displaced, and reconstructed together. Through installations&lt;br /&gt;of
suspended textile works and moving image as an inquiry into how&lt;br /&gt;cultural forms are carried and reassembled across time and geography.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://relicsuspension.com/footer-1</loc>
            
            
            <lastmod>2026-08-22T07:37:25+00:00</lastmod>
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            <url>
                        <loc>https://relicsuspension.com/about</loc>
            
            
            <lastmod>2026-08-22T07:37:25+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/C3094173326096031538859659289282/DSCF1171-1.jpg</image:loc>
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                        <loc>https://relicsuspension.com/top-nav-bar-(desktop)</loc>
            
            
            <lastmod>2026-08-22T08:19:03+00:00</lastmod>
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            <url>
                        <loc>https://relicsuspension.com/top-nav-bar-(mobile)</loc>
            
            
            <lastmod>2026-08-22T07:55:33+00:00</lastmod>
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